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Joined 6 months ago
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Cake day: May 6th, 2024

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  • talking points like, “why don’t women look feminine aymore,” “why are characters designed for diversity/inclusion first before story,” “Concord sucks lol.”

    They’re fair observations. Convergent, homogenous graphic design plagues big-budget game production.

    Ubi is the sort of mob that could put out a title set in Georgian England and offer a cast that includes among others a queer green-haired ship’s captain, a Chinese bailiff and a Rastafarian archbishop. There’s a place for getting whimsical with character creation, but done often enough (and across so many genres), it becomes self-satirizing.


  • You’ll find that these professions have a vested interest in maintaining network effects, and as such will view Mast/Blue as threats to their networking infrastructure. They don’t want to dilute the importance of the platform their patronage systems rely on (let alone destroy it) - in fact its centrality is why they leverage it to advance their careers. Artists I can see understanding platform agnosticism to some extent, but for the other two groups, it’s simply not in their DNA. The gatekeeping is a feature for them.

    ‘The medium is the message’ as a Canadian theorist once said.





  • Smear campaign

    A smear campaign, also referred to as a smear tactic or simply a smear, is an effort to damage or call into question someone’s reputation, by propounding negative propaganda.[1] It makes use of discrediting tactics. It can be applied to individuals or groups. Common targets are public officials, politicians, political candidates, activists, and ex-spouses. The term also applies in other contexts, such as the workplace.[2] The term smear campaign became popular around 1936.[3] [Wikipedia[