You’ll find that these professions have a vested interest in maintaining network effects, and as such will view Mast/Blue as threats to their networking infrastructure. They don’t want to dilute the importance of the platform their patronage systems rely on (let alone destroy it) - in fact its centrality is why they leverage it to advance their careers. Artists I can see understanding platform agnosticism to some extent, but for the other two groups, it’s simply not in their DNA. The gatekeeping is a feature for them.
‘The medium is the message’ as a Canadian theorist once said.
They’re fair observations. Convergent, homogenous graphic design plagues big-budget game production.
Ubi is the sort of mob that could put out a title set in Georgian England and offer a cast that includes among others a queer green-haired ship’s captain, a Chinese bailiff and a Rastafarian archbishop. There’s a place for getting whimsical with character creation, but done often enough (and across so many genres), it becomes self-satirizing.